The chronicles of Enguerrand de Monstrelet, Vol. 07 [of 13] — A Closer Reading
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Read on Project GutenbergEnguerrand de Monstrelet's chronicle, as translated by Thomas Johnes, builds its account of the 1435 Congress of Arras not on abstract negotiation but on the visible ordering of bodies, horses, and heraldic signs. The arrival of the French embassy is rendered as a procession of named lords—the duke of Bourbon, the constable de Richemont, the archbishop of Rheims—each tied by marriage or office to the Burgundian duke. Monstrelet notes the precise formation: six trumpets and clarions sounding, Montjoye king at arms leading, the three dukes riding abreast. This is a chronicler who reads political meaning in spatial arrangement.
Procession as Political Statement
Monstrelet devotes unusual attention to the order of entry into Arras. The French ambassadors are met at the wood of Mouf-laine, half a league from the town, by the duke of Burgundy and his retinue. The chronicler specifies that the duke of Burgundy, duke of Bourbon, and duke of Gueldres rode abreast at the head of the line, while the constable and counts rode a few paces before them. This is not mere pageantry: the arrangement declares parity between the dukes and subordination of the constable. Monstrelet further notes that the English ambassadors were excluded from the welcoming party—they had taken their leave of the duchess while still in open country. The chronicler thus uses spatial detail to map alliances and exclusions.
The Duchess's Arrival and the Language of Display
The duchess of Burgundy arrives three days later, and Monstrelet's description shifts from military order to sumptuous display. She is carried in an ornamented litter, dressed in cloth of gold and precious stones, followed by six ladies on palfreys with robes and hoods covered with wrought silver and gold. Three handsome cars carry the countess de Namur and others. The chronicler notes that the English ambassadors had already withdrawn, a detail that underscores the performance of Burgundian wealth and French-Burgundian solidarity. Monstrelet does not evaluate the display—he records it as fact, trusting that the accumulation of gold, silver, and precious stones speaks for itself. The duchess then pays her respects to the cardinals, completing a ceremonial circuit that reinforces ecclesiastical approval.
Naming as a Rhetoric of Authority
Monstrelet's chronicle is dense with proper names: the lord de la Fayette marshal of France, master Adam de Cambray first president of the parliament, the dean of Paris named master John Tudart. This cataloguing serves a dual purpose. It authenticates the account by anchoring it to identifiable persons, and it asserts the chronicler's access to authoritative sources. The list of the French embassy includes not only nobles but also legal and municipal figures—the treasurer of Anjou, the borgne Blesset, master John Chanetier—suggesting that Monstrelet valued institutional representation as much as aristocratic lineage. The effect is to transform a diplomatic event into a roll call of the realm's governing class.
Gifts and the Economy of Honor
After the ambassadors are lodged, Monstrelet records that they received many rich presents from churchmen as well as from seculars. This brief note opens a window into the material culture of diplomacy. Gifts were not incidental courtesies but tangible acknowledgments of status and obligation. The chronicler does not list the gifts, but the mention itself signals that the exchange of valuables was a routine and expected part of such meetings. Monstrelet's inclusion of the detail, without elaboration, suggests that his audience understood the political weight of such transactions. The presents bind the participants in a network of mutual indebtedness that the chronicle otherwise leaves implicit.
Monstrelet's method is cumulative: he builds meaning through the accretion of names, ranks, and ceremonial steps rather than through explicit analysis. Readers attentive to his choices of what to include—and what to omit—will find a chronicle that uses procession, gift, and title to map the shifting alliances of the Hundred Years' War. The translator Thomas Johnes preserves this texture, making the 15th-century Burgundian court visible in its own terms.
I remember how the seventh volume caught the glint of heraldic banners at Arras, the measured steps of ambassadors—power made visible in procession. That same chronicle’s voice carries into The chronicles of Enguerrand de Monstrelet, Vol. 08 [of 13] — Text and Context, where the quiet margins speak between the lines. They rest together, two volumes sharing one long, patient breath.
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